email / info[at]danwalwin[dot]co[dot]uk

Born Frome, UK, 1986

2016 Residency, Triangle France, Marseille
2015 Mondriaan Fonds Werkbijdrage Bewezen Talent
2012-13 Residency, Rijksakademie van Beeldende Kunsten, Amsterdam

2004-7 BA Fine Art, Goldsmiths College, London
2002-4 National Diploma Fine Art, Wiltshire College, Trowbridge


2017
Show called spies, Galerie Juliette Jongma, Amsterdam (solo)
Lurkier crush of the rail, CIAP, Hasselt (solo)
Thanks gods, A Maior, Viseu (solo)
Lorry steel life bus Rainham steel
The gag reflex and other reactions towards complexity, Filmhuis Den Haag, The Hague / curated by Petra Heck
Being Infrastructural, mothers tankstation limited, Dublin / screening / curated by Maeve Connolly
Gabinete de Moda, Gabinete, Lisbon / curated by Bruno Zhu
Non-linear: Dark Cinema, Close-Up Film Centre, London / screening / curated by Shama Khanna
The Weathers They Live In, PuntWG, Amsterdam / curated by Nicola Arthen
Over hang, W139, Amsterdam / by Jacob Dwyer, Marcia Gratton, Jean Hubert, Franziska Schulz,
Rustan Söderling, Dan Walwin, Charlott Weise
TEXT / Over hang review, Frieze Jun-Jul-Aug 17 / Jonathan P. Watts
Hmn8, Napier Grove Community Centre, London / event / curated by Chris Fite-Wassilak and Anne Tallentire
Half, Florijn Projects, Amsterdam / curated by Bea McMahon and Dan Walwin

2016
Dorothea van Stetten Art Award, Kunstmuseum Bonn / nominated by Niekolaas Johannes Lekkerkerk
TEXT / High Definition, Niekolaas Johannes Lekkerkerk
For Your Everyday Use, Galerie Martin Von Zomeren, Amsterdam
hairs decking a slender stemThe hairs were decking a tender stem
All the grace of a falling tree
Adele, Café de Laurierboom, Amsterdam / curated by Bruno Zhu
Cold-Pressed, Low-Heat, Brno House of Arts, Brno / curated by Linda Dostálková and Daniela Dostálková
Future piece 2016
Inflected Objects #2: Circulation - Otherwise, Unhinged, Future Gallery, Berlin / curated by Melanie Bühler
Blue Screens, Moravia Gallery, Brno / curated by fanfare
Hybrid Modus, Sculptuur Bredelar, Bredelar / curated by Bas Hendrikx and Ursula Ströbele
Bedazzle, Kunstfort Vijfhuizen, Amsterdam / curated by Julia Geerlings
Festiv town, Oosterpark, Amsterdam / curated by Femke Herregraven, Dan Walwin, Bruno Zhu
Wicked Problem, Salle des Machines - Friche la Belle de Mai, Marseille / curated by Celine Kopp
Making Hybrids, EYE, Amsterdam / International Short Film Festival Oberhausen / curated by Janis Rafa
This is Public and Sexy, St Andrew’s Community Centre, Dublin / curated by RGKSKSRG
Inflected Objects #2: Circulation - Mise en Séance, De Hallen Haarlem / curated by Melanie Bühler





2015
Winds, Cell Project Space, London (solo)
Sun room, P/////AKT, Amsterdam (solo)
TEXT / Sun room review, P/////AKT, Amsterdam, 2015, Maeve Connolly / thisistomorrow.info
TEXT / Sun room review, P/////AKT, Amsterdam, 2015, Hans den Hartog Jager / NRC
No title
Sequence 01 / Sequence_01_1
VISIO Next Generation Moving Images, CCC Strozzina, Florence / curated by Leonardo Bigazzi
Infrastructural Objects, The Bluecoat, Liverpool / screening / curated by Maeve Connolly
No time to hang!, matkissing, Amsterdam
Advanced Silence: public event Sun room, P/////AKT, Amsterdam / screening / curated by Dan Walwin
2013, 2014, Cosmos Carl, online / link

2014
Cess, jel ever terrass?, Playstation, Galerie Fons Welters, Amsterdam (solo)
Uyati Pog, Exodus, OCCII, Amsterdam
op, Stephen Lawrence Gallery, University of Greenwich, London / curated by David Waterworth
Tr'verse
Marl Media Art Awards, Skulpturenmuseum Glaskasten Marl, Marl
Out There - Video Art, New media & Photography on Landscapes in Public Space, Maastricht
Haperende Mens, Arti et Amicitiae, Amsterdam / curated by Katja Vercouten
Metadata Venn Diagram, Broadstone Studios, Dublin / screening / curated by Dennis McNulty

2013
UTOPIA, Stedelijk at Trouw, Trouw, Amsterdam / curated by Zippora Elders and Bart Rutten, Stedelijk Museum
IMG_1656
Rijksakademie Open, Rijksakademie van Beeldende Kunsten, Amsterdam
Plus Jamais Seul, Standards, Rennes
Solving Ourselves, TULCA Festival of Visual Art, Druid Theatre, Galway / screening /
curated by Dennis McNulty and Jennifer Lange
There may [question] be time for the clock, the clock [question] may make time for itself;
Interzones, Wexner Center for the Arts, Ohio State University, Columbus / screening /
curated by Dennis McNulty and Jennifer Lange
The Enormous Speed of Change, Hoog Catharijne/Utrecht Central Station, Utrecht / curated by Maaike Lauwaert and
Huib Haye van der Werf
Wolf
TEXT / Shallows, Taya Hanauer / following Rijksakademie Open 2012, Amsterdam

2012
tele-, P/////AKT, Amsterdam (solo)
TEXT / tele-, Rahila Haque / accompanying exhibition
End Times, South London Gallery, London / screening / curated by Jonathan P. Watts
TEXT / End Times, Jonathan P. Watts / accompanying screening
Young London, V22, London
Rijksakademie Open, Rijksakademie van Beeldende Kunsten, Amsterdam
Rencontres Internationales, Haus der Kulturen der Welt, Berlin / Beirut Art Centre, Beirut / screening
Pool

2011
tele-, Filmhuis Den Haag, The Hague (solo)
TEXT / tele-, Rahila Haque / accompanying exhibition
Where the fate ends?, Teatro Valle, Rome / screening
Rencontres Internationales, Haus der Kulturen der Welt, Berlin / Museo Nacional Centro de Arte Reina Sofía, Madrid / Centre Pompidou, Paris / screening
European Media Art Festival, Osnabrück / screening
West: Seven Sunsets, Field Broadcast, Online / curated by Rebecca Birch and Rob Smith
As each of us was many people we became quite a crowd! Bonheur Theatre, Rotterdam / curated by Jane Fawcett and Catarina de Oliveira
Source

2010
World needs coolants
Second Unit
Invisible Violence, 3rd Festarte International Video Art Festival, Museum of Contemporary Art, Rome / screening
Voice/Under, Broadway Cinema and Media Centre, Nottingham / screening
Multichannel: Variable Economies, Artsway, Sway
Field Broadcast, Online and Wysing Arts Centre, Cambridgeshire / curated by Rebecca Birch and Rob Smith
For the sake of the image, Jerwood Space, London / curated by Suki Chan


2009
These are the times: The Image on the Threshold, Vertigo Magazine launch, Birkbeck Cinema, London / screening /
curated by Gareth Evans
TEXT / Optimism at point of no return: Dan Walwin and the Implications of Landscape / Gareth Evans / Vertigo Magazine
Verena Klary, Iwan van't Spijker, Dan Walwin, Walden Affairs, The Hague
Water is a burned body

2008
High Angle, Dead Drop, Admiralty Buildings, Isle of Portland

2007
Optimism at point of no return
TEXT / Optimism at point of no return, David Pirie

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Prowling rat or injured rat