info (at) danwalwin (dot) co (dot) uk

Born Frome, UK, 1986


RESIDENCIES / EDUCATION

Residency, Triangle France, Marseille - 2016

Residency, Rijksakademie van Beeldende Kunsten, Amsterdam - 2012-13

BA Fine Art, Goldsmiths College, London - 2004-7

National Diploma Fine Art, Wiltshire College, Trowbridge - 2002-4


SOLO EXHIBITIONS

2017
Show called spies, Galerie Juliette Jongma, Amsterdam
Lurkier crush of the rail, CIAP, Hasselt
Thanks gods, A Maior, Viseu

2015
Winds, Cell Project Space, London
Sun room, P/////AKT, Amsterdam
TEXT / Sun room review, Maeve Connolly
TEXT / Sun room review, Hans den Hartog Jager

2014
Cess, jel ever terrass?, Front space, Galerie Fons Welters, Amsterdam

2012
tele-, P/////AKT, Amsterdam
TEXT / tele-, Rahila Haque


GROUP EXHIBITIONS / SCREENINGS / EVENTS ETC.

2018
Dawn at demoralize, collaboration with Kunstfort Vijfhuizen, curated by Zippora Elders / Intersections, Art Rotterdam
Hybrids, Lustwarande, Tilburg / curated by Chris Driessen and David Jablonowski
Gibraltar efforts
Cosh
Tens unit
Further river
Extended instruments
Unformed work

2017
Over hang, W139, Amsterdam / by Jacob Dwyer, Marcia Gratton, Jean Hubert, Franziska Schulz,
Rustan Söderling, Dan Walwin, Charlott Weise

Being Infrastructural, mothers tankstation limited, Dublin / screening / curated by Maeve Connolly
The gag reflex and other reactions towards complexity, Filmhuis Den Haag, The Hague / curated by Petra Heck
Gabinete de Moda, Gabinete, Lisbon / curated by Bruno Zhu
Non-linear: Dark Cinema, Close-Up Film Centre, London / screening / curated by Shama Khanna
The Weathers They Live In, PuntWG, Amsterdam / curated by Nicola Arthen
Hmn8, Napier Grove Community Centre, London / event / curated by Chris Fite-Wassilak and Anne Tallentire
Outdoors
Shrine to bare shoulder
Trap
grounds of a hotel
30-08-2017
Crying Lions
Crying Lions
TEXT / Over hang review, frieze Jun-Jul-Aug 17 / Jonathan P. Watts

2016
Dorothea van Stetten Art Award, Kunstmuseum Bonn, Bonn
Inflected Objects #2: Circulation - Mise en Séance, De Hallen Haarlem / curated by Melanie Bühler
Inflected Objects #2: Circulation - Otherwise, Unhinged, Future Gallery, Berlin / curated by Melanie Bühler
Making Hybrids, EYE, Amsterdam / International Short Film Festival Oberhausen / curated by Janis Rafa
Cold-Pressed, Low-Heat, Brno House of Arts, Brno / curated by Linda Dostálková and Daniela Dostálková
Hybrid Modus, Sculptuur Bredelar, Bredelar / curated by Bas Hendrikx and Ursula Ströbele
Wicked Problem, Salle des Machines - Friche la Belle de Mai, Marseille / curated by Celine Kopp
Adele, Café de Laurierboom, Amsterdam / curated by Bruno Zhu
This is Public and Sexy, St Andrew’s Community Centre, Dublin / curated by RGKSKSRG
For Your Everyday Use, Galerie Martin Von Zomeren, Amsterdam
Bedazzle, Kunstfort Vijfhuizen, Amsterdam / curated by Julia Geerlings
Festiv town, Oosterpark, Amsterdam / curated by Femke Herregraven, Dan Walwin, Bruno Zhu
Corr atoll
Future piece 2016
small experimental french turbo jet
TEXT / High Definition, Niekolaas Johannes Lekkerkerk



2015
VISIO Next Generation Moving Images, CCC Strozzina, Florence / curated by Leonardo Bigazzi
Infrastructural Objects, The Bluecoat, Liverpool / screening / curated by Maeve Connolly
Advanced Silence: public event Sun room, P/////AKT, Amsterdam / screening / curated by Dan Walwin
2013, 2014, Cosmos Carl
No title
Sequence 01 / Sequence_01_1
Dusty club

2014
op, Stephen Lawrence Gallery, University of Greenwich, London / curated by David Waterworth
Marl Media Art Awards, Skulpturenmuseum Glaskasten Marl, Marl
Out There - Video Art, New media & Photography on Landscapes in Public Space, Maastricht
Uyati Pog, Exodus, OCCII, Amsterdam
Metadata Venn Diagram, Broadstone Studios, Dublin / screening / curated by Dennis McNulty
Bunk neck
Tr'verse
extra utter

2013
UTOPIA, Stedelijk at Trouw, Trouw, Amsterdam / curated by Stedelijk Museum Amsterdam
(Zippora Elders, Hendrik Folkerts, Bart Rutten)
The Enormous Speed of Change, Hoog Catharijne/Utrecht Central Station, Utrecht / curated by
Maaike Lauwaert and Huib Haye van der Werf
Rijksakademie Open, Rijksakademie van Beeldende Kunsten, Amsterdam
Plus Jamais Seul, Standards, Rennes
Solving Ourselves, TULCA Festival of Visual Art, Druid Theatre, Galway / screening /
curated by Dennis McNulty and Jennifer Lange
There may [question] be time for the clock, the clock [question] may make time for itself;
Interzones, Wexner Center for the Arts, Ohio State University, Columbus / screening /
curated by Dennis McNulty and Jennifer Lange
Wolf
IMG_1656
TEXT / Shallows, Taya Hanauer / following Rijksakademie Open 2012, Amsterdam



2012
End Times, South London Gallery, London / screening / curated by Jonathan P. Watts
Young London, V22, London
Rijksakademie Open, Rijksakademie van Beeldende Kunsten, Amsterdam
Pool
TEXT / End Times, Jonathan P. Watts / accompanying screening

2011
Where the fate ends?, Teatro Valle, Rome / screening
Rencontres Internationales, Haus der Kulturen der Welt, Berlin / Museo Nacional Centro de Arte Reina Sofía, Madrid / Centre Pompidou, Paris / screening
European Media Art Festival, Osnabrück / screening
West: Seven Sunsets, Field Broadcast, Online / curated by Rebecca Birch and Rob Smith
Source

2010
Invisible Violence, 3rd Festarte International Video Art Festival, Museum of Contemporary Art, Rome / screening
Voice/Under, Broadway Cinema and Media Centre, Nottingham / screening
Multichannel: Variable Economies, Artsway, Sway
Field Broadcast, Online and Wysing Arts Centre, Cambridgeshire / curated by Rebecca Birch and Rob Smith
For the sake of the image, Jerwood Space, London / curated by Suki Chan
Second Unit
The Overlooking Eye


2009
These are the times: The Image on the Threshold, Vertigo Magazine launch, Birkbeck Cinema, London / screening /
curated by Gareth Evans
Verena Klary, Iwan van't Spijker, Dan Walwin, Walden Affairs, The Hague
Water is a burned body
TEXT / Optimism at point of no return: Dan Walwin and the Implications of Landscape / Gareth Evans / Vertigo Magazine

2008
High Angle, Dead Drop, Admiralty Buildings, Isle of Portland
Voic
Harshes

2007
Optimism at point of no return
Predicament
TEXT / Optimism at point of no return, David Pirie


GRANTS / AWARDS

2015
Mondriaan Fonds, Werkbijdrage Bewezen Talent

2014
Amsterdam Fonds voor de Kunst, Development Grant
Mondriaan Fonds, Project Grant

2011
BNG Workspace Project Prize, Filmhuis Den Haag, The Hague

2010
Arts Critic Award, 3rd Festarte International Video Art Festival, Museum of Contemporary Art, Rome


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