email / info[at]danwalwin[dot]co[dot]uk

Born Frome, UK, 1986

2016 Residency, Triangle France, Marseille
2015 Mondriaan Fonds Werkbijdrage Bewezen Talent
2012-13 Residency, Rijksakademie van Beeldende Kunsten, Amsterdam

2004-7 BA Fine Art, Goldsmiths College, London
2002-4 National Diploma Fine Art, Wiltshire College, Trowbridge

Show called spies, Galerie Juliette Jongma, Amsterdam (solo)
Lurkier crush of the rail, CIAP, Hasselt (solo)
Thanks gods, A Maior, Viseu (solo)
Lorry steel life bus Rainham steel
The gag reflex and other reactions towards complexity, Filmhuis Den Haag, The Hague / curated by Petra Heck
Being Infrastructural, mothers tankstation limited, Dublin / screening / curated by Maeve Connolly
Gabinete de Moda, Gabinete, Lisbon / curated by Bruno Zhu
Non-linear: Dark Cinema, Close-Up Film Centre, London / screening / curated by Shama Khanna
The Weathers They Live In, PuntWG, Amsterdam / curated by Nicola Arthen
Over hang, W139, Amsterdam / by Jacob Dwyer, Marcia Gratton, Jean Hubert, Franziska Schulz,
Rustan Söderling, Dan Walwin, Charlott Weise
TEXT / Over hang review, Frieze Jun-Jul-Aug 17 / Jonathan P. Watts
Hmn8, Napier Grove Community Centre, London / event / curated by Chris Fite-Wassilak and Anne Tallentire
Half, Florijn Projects, Amsterdam / curated by Bea McMahon and Dan Walwin

Dorothea van Stetten Art Award, Kunstmuseum Bonn / nominated by Niekolaas Johannes Lekkerkerk
TEXT / High Definition, Niekolaas Johannes Lekkerkerk
For Your Everyday Use, Galerie Martin Von Zomeren, Amsterdam
hairs decking a slender stemThe hairs were decking a tender stem
All the grace of a falling tree
Adele, Café de Laurierboom, Amsterdam / curated by Bruno Zhu
Cold-Pressed, Low-Heat, Brno House of Arts, Brno / curated by Linda Dostálková and Daniela Dostálková
Future piece 2016
Inflected Objects #2: Circulation - Otherwise, Unhinged, Future Gallery, Berlin / curated by Melanie Bühler
Blue Screens, Moravia Gallery, Brno / curated by fanfare
Hybrid Modus, Sculptuur Bredelar, Bredelar / curated by Bas Hendrikx and Ursula Ströbele
Bedazzle, Kunstfort Vijfhuizen, Amsterdam / curated by Julia Geerlings
Festiv town, Oosterpark, Amsterdam / curated by Femke Herregraven, Dan Walwin, Bruno Zhu
Wicked Problem, Salle des Machines - Friche la Belle de Mai, Marseille / curated by Celine Kopp
Making Hybrids, EYE, Amsterdam / International Short Film Festival Oberhausen / curated by Janis Rafa
This is Public and Sexy, St Andrew’s Community Centre, Dublin / curated by RGKSKSRG
Inflected Objects #2: Circulation - Mise en Séance, De Hallen Haarlem / curated by Melanie Bühler

Winds, Cell Project Space, London (solo)
Sun room, P/////AKT, Amsterdam (solo)
TEXT / Sun room review, P/////AKT, Amsterdam, 2015, Maeve Connolly /
TEXT / Sun room review, P/////AKT, Amsterdam, 2015, Hans den Hartog Jager / NRC
No title
Sequence 01 / Sequence_01_1
VISIO Next Generation Moving Images, CCC Strozzina, Florence / curated by Leonardo Bigazzi
Infrastructural Objects, The Bluecoat, Liverpool / screening / curated by Maeve Connolly
No time to hang!, matkissing, Amsterdam
Advanced Silence: public event Sun room, P/////AKT, Amsterdam / screening / curated by Dan Walwin
2013, 2014, Cosmos Carl, online / link

Cess, jel ever terrass?, Playstation, Galerie Fons Welters, Amsterdam (solo)
Uyati Pog, Exodus, OCCII, Amsterdam
op, Stephen Lawrence Gallery, University of Greenwich, London / curated by David Waterworth
Marl Media Art Awards, Skulpturenmuseum Glaskasten Marl, Marl
Out There - Video Art, New media & Photography on Landscapes in Public Space, Maastricht
Haperende Mens, Arti et Amicitiae, Amsterdam / curated by Katja Vercouten
Metadata Venn Diagram, Broadstone Studios, Dublin / screening / curated by Dennis McNulty

UTOPIA, Stedelijk at Trouw, Trouw, Amsterdam / curated by Zippora Elders and Bart Rutten, Stedelijk Museum
Rijksakademie Open, Rijksakademie van Beeldende Kunsten, Amsterdam
Plus Jamais Seul, Standards, Rennes
Solving Ourselves, TULCA Festival of Visual Art, Druid Theatre, Galway / screening /
curated by Dennis McNulty and Jennifer Lange
There may [question] be time for the clock, the clock [question] may make time for itself;
Interzones, Wexner Center for the Arts, Ohio State University, Columbus / screening /
curated by Dennis McNulty and Jennifer Lange
The Enormous Speed of Change, Hoog Catharijne/Utrecht Central Station, Utrecht / curated by Maaike Lauwaert and
Huib Haye van der Werf
TEXT / Shallows, Taya Hanauer / following Rijksakademie Open 2012, Amsterdam

tele-, P/////AKT, Amsterdam (solo)
TEXT / tele-, Rahila Haque / accompanying exhibition
End Times, South London Gallery, London / screening / curated by Jonathan P. Watts
TEXT / End Times, Jonathan P. Watts / accompanying screening
Young London, V22, London
Rijksakademie Open, Rijksakademie van Beeldende Kunsten, Amsterdam
Rencontres Internationales, Haus der Kulturen der Welt, Berlin / Beirut Art Centre, Beirut / screening

tele-, Filmhuis Den Haag, The Hague (solo)
TEXT / tele-, Rahila Haque / accompanying exhibition
Where the fate ends?, Teatro Valle, Rome / screening
Rencontres Internationales, Haus der Kulturen der Welt, Berlin / Museo Nacional Centro de Arte Reina Sofía, Madrid / Centre Pompidou, Paris / screening
European Media Art Festival, Osnabrück / screening
West: Seven Sunsets, Field Broadcast, Online / curated by Rebecca Birch and Rob Smith
As each of us was many people we became quite a crowd! Bonheur Theatre, Rotterdam / curated by Jane Fawcett and Catarina de Oliveira

World needs coolants
Second Unit
Invisible Violence, 3rd Festarte International Video Art Festival, Museum of Contemporary Art, Rome / screening
Voice/Under, Broadway Cinema and Media Centre, Nottingham / screening
Multichannel: Variable Economies, Artsway, Sway
Field Broadcast, Online and Wysing Arts Centre, Cambridgeshire / curated by Rebecca Birch and Rob Smith
For the sake of the image, Jerwood Space, London / curated by Suki Chan

These are the times: The Image on the Threshold, Vertigo Magazine launch, Birkbeck Cinema, London / screening /
curated by Gareth Evans
TEXT / Optimism at point of no return: Dan Walwin and the Implications of Landscape / Gareth Evans / Vertigo Magazine
Verena Klary, Iwan van't Spijker, Dan Walwin, Walden Affairs, The Hague
Water is a burned body

High Angle, Dead Drop, Admiralty Buildings, Isle of Portland

Optimism at point of no return
TEXT / Optimism at point of no return, David Pirie

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Prowling rat or injured rat