info (at) danwalwin (dot) co (dot) uk

Born Frome, UK, 1986


Residency, Triangle France, Marseille - 2016

Residency, Rijksakademie van Beeldende Kunsten, Amsterdam - 2012-13

BA Fine Art, Goldsmiths College, London - 2004-7

National Diploma Fine Art, Wiltshire College, Trowbridge - 2002-4



Show called spies, Galerie Juliette Jongma, Amsterdam
Lurkier crush of the rail, CIAP, Hasselt
Thanks gods, A Maior, Viseu

Winds, Cell Project Space, London
Sun room, P/////AKT, Amsterdam

Cess, jel ever terrass?, Front space, Galerie Fons Welters, Amsterdam

tele-, P/////AKT, Amsterdam


À Cris Ouverts, 6th Les Ateliers de Rennes - Contemporary Art Biennale, Rennes / curated by Céline Kopp and Étienne Bernard
Even if it’s Jazz, or the Quiet Storm, Nest, The Hague / curated by Vincent Van Velsen and Dan Walwin*
The Annotated Reader, publication / curated by Jonathan P. Watts and Ryan Gander
Non-linear: Dark Cinema, LIMA, Amsterdam / screening / curated by Shama Khanna
Liberated Film Club, Close-Up Film Centre, London / screening / curated by Stanley Schtinter
Vidéo Fatale #1, Mains d'Œuvres, Paris / screening / curated by Julia Geerlings and Laura Gozlan
Hybrids, Lustwarande, Tilburg / curated by Chris Driessen and David Jablonowski
Sic Fi, Galerie Juliette Jongma, Amsterdam
Dawn at demoralize, collaboration with Kunstfort Vijfhuizen, curated by Zippora Elders / Intersections, Art Rotterdam

Over hang, W139, Amsterdam*
Being Infrastructural, mothers tankstation limited, Dublin / screening / curated by Maeve Connolly
The gag reflex and other reactions towards complexity, Filmhuis Den Haag, The Hague / curated by Petra Heck
Rigmarole scorn and scorn Rigmarole Violently sacred grove sacred
Gabinete de Moda, Gabinete, Lisbon / curated by Bruno Zhu
Non-linear: Dark Cinema, Close-Up Film Centre, London / screening / curated by Shama Khanna
The Weathers They Live In, PuntWG, Amsterdam / curated by Nicola Arthen
Half, Florijn Projects, Amsterdam / curated by Bea McMahon and Dan Walwin*
Hmn8, Napier Grove Community Centre, London / curated by Chris Fite-Wassilak and Anne Tallentire

Dorothea van Stetten Kunstpreis, Kunstmuseum Bonn, Bonn
Inflected Objects #2: Circulation - Mise en Séance, De Hallen Haarlem / curated by Melanie Bühler
Inflected Objects #2: Circulation - Otherwise, Unhinged, Future Gallery, Berlin / curated by Melanie Bühler
Making Hybrids, EYE, Amsterdam / International Short Film Festival Oberhausen / screening / curated by Janis Rafa
Cold-Pressed, Low-Heat, Brno House of Arts, Brno / curated by Linda Dostálková and Daniela Dostálková
Hybrid Modus, Sculptuur Bredelar, Bredelar / curated by Bas Hendrikx and Ursula Ströbele
Wicked Problem, Salle des Machines - Friche la Belle de Mai, Marseille / curated by Céline Kopp
Adele, Café de Laurierboom, Amsterdam / curated by Bruno Zhu
This is Public and Sexy, St Andrew’s Community Centre, Dublin / curated by RGKSKSRG
For Your Everyday Use, Galerie Martin Von Zomeren, Amsterdam
Bedazzle, Kunstfort Vijfhuizen, Amsterdam / curated by Julia Geerlings
Festiv town, Oosterpark, Amsterdam / curated by Femke Herregraven, Dan Walwin, Bruno Zhu*

VISIO Next Generation Moving Images, CCC Strozzina, Florence / curated by Leonardo Bigazzi
Infrastructural Objects, The Bluecoat, Liverpool / screening / curated by Maeve Connolly
Advanced Silence: public event, Sun room, P/////AKT, Amsterdam / screening*
2013, 2014, Cosmos Carl,

op, Stephen Lawrence Gallery, University of Greenwich, London / curated by David Waterworth
Marl Media Art Awards, Skulpturenmuseum Glaskasten Marl, Marl
Out There - Video Art, New media & Photography on Landscapes in Public Space, Maastricht / curated by Bart van den Boom
Uyati Pog, Exodus, OCCII, Amsterdam
Bunk neck
Metadata Venn Diagram, Broadstone Studios, Dublin / screening / curated by Dennis McNulty

Utopia, Stedelijk Museum Amsterdam, at Trouw, Amsterdam / curated by Zippora Elders, Hendrik Folkerts, Bart Rutten
The Enormous Speed of Change, Hoog Catharijne/Utrecht Central Station, Utrecht / curated by Maaike Lauwaert and
Huib Haye van der Werf
Rijksakademie Open, Rijksakademie van Beeldende Kunsten, Amsterdam
Plus Jamais Seul, Standards, Rennes
Solving Ourselves, TULCA Festival of Visual Art, Druid Theatre, Galway / screening / curated by Dennis McNulty and Jennifer Lange
There may [question] be time for the clock, the clock [question] may make time for itself;
Interzones, Wexner Center for the Arts, Ohio State University, Columbus / screening / curated by Dennis McNulty and Jennifer Lange

End Times, South London Gallery, London / screening / curated by Jonathan P. Watts
Young London, V22, London
Rijksakademie Open, Rijksakademie van Beeldende Kunsten, Amsterdam

Where the fate ends?, Teatro Valle, Rome / screening
Rencontres Internationales, Haus der Kulturen der Welt, Berlin / Museo Reina Sofía, Madrid / Centre Pompidou, Paris / screening
European Media Art Festival, Osnabrück / screening
West: Seven Sunsets, Field Broadcast, Online / curated by Rebecca Birch and Rob Smith

Invisible Violence, 3rd Festarte festival, Museum of Contemporary Art, Rome / screening
Voice/Under, Broadway Cinema and Media Centre, Nottingham / screening
Multichannel: Variable Economies, Artsway, Sway
Field Broadcast, Online and Wysing Arts Centre, Cambridgeshire / curated by Rebecca Birch and Rob Smith
For the sake of the image, Jerwood Space, London / curated by Suki Chan

These are the times: The Image on the Threshold, Birkbeck Cinema, London / screening / curated by Gareth Evans
Verena Klary, Iwan van't Spijker, Dan Walwin, Walden Affairs, The Hague

High Angle, Dead Drop, Admiralty Buildings, Isle of Portland

Ghosts of Presence, Art Gallery of York University, Toronto / screening / curated by Darryl Bank
Nature Untouched, Tou Vindu, Stavanger
Optimism at point of no return


Mondriaan Fonds, Project Grant

Mondriaan Fonds, Werkbijdrage Bewezen Talent
Mondriaan Fonds, Project Grant

Amsterdam Fonds voor de Kunst, Development Grant
Mondriaan Fonds, Project Grant

BNG Workspace Project Prize, Filmhuis Den Haag, The Hague

Arts Critic Award, 3rd Festarte festival, Museum of Contemporary Art, Rome


Daughter’s name is settled snow
Over hang, review, frieze Jun-Jul-Aug 17 / Jonathan P. Watts

High Definition, Niekolaas Johannes Lekkerkerk / accompanying exhibition, Kunstmuseum Bonn

Sun room, review, Maeve Connolly
Sun room, review, Hans den Hartog Jager

Shallows, Taya Hanauer / following Rijksakademie Open, Amsterdam

tele-, Rahila Haque / accompanying exhibition P/////AKT, Amsterdam
End Times, Jonathan P. Watts / accompanying screening, South London Gallery, London

Optimism at point of no return: Dan Walwin and the Implications of Landscape, Gareth Evans / Vertigo Magazine

Optimism at point of no return, David Pirie

site from Indexhibit / all content copyright © Dan Walwin 2018